Last Updated: 6/15/2024
one._.y1
↴
Yinuo Chen
↳
{Yee-Know}
Yinuo is a Multidisciplinary 3D Technical Artist & AI visual Developer.
Currently, she is researching interactive AI motion graphics at the China Academy of Art's AI Center as the Lead Technical Specialist.
Recent Awards and Recognitions:
Awarded the Grand Jury Prize at the Global AI Film Marathon 2024,held by Shanghai Film, for her AI short film directorial debut, The Ugly Truth.
Featured in Business Insider for her professional experience as an AI Prompt Engineer at one of Asia's largest digital advertising agency.
Featured on the cover of iidrr gallery’s inaugural magazine.
Specializations:
Creating cinematic videos using Unreal Engine.
Producing end-to-end AIGC commercial TVCs.
Developing custom workflows and nodes for Stable Diffusion/Comfy UI.
Based in Beijing & Brooklyn
Creative Showreel 2022-2023
↳
Including works of 3D short films, Physical Computing, and Live Audio Visual Performances.
soundtrack: Shimmer by Sinjin Hawke
↳
This deck includes comprehensive documentation of the ideation, development, and workflows behind past academic projects.
My Body Is Not My Home
2023-2024
Animation Director & Producer
My Body Is Not My Home vol.2 is a redeveloped version of my undergraduate thesis. It is a 3D animated short film following the journey of an uncanny simulacrum who undergoes the process of becoming the ‘Other’.
Directed and produced by YINUO CHEN Heart 3D model Creation By YIZHEN SHI Motion Capture Dance Sequence by MARK PESHKOV Landscape Production by KEER ZHAO Original Soundtrack by GABRIEL CHI, CAMERON TANAKA, JAMANTE
2022
Physical Computing & Touchdesigner System Design
Man/Eater is the name of this experimental live performance system, which integrates deep sea creatures and hyper-feminine aesthetics with a novel use of data visualization technology. The user takes on an alter-ego during the performance, wearing a custom-made mirror mask and a wireless midi Arduino glove, controlling the soundscape and live visuals via motion. The glove and the mask become a physical extension of the performer’s body, enabling the performer to become the ultra-instrument.
